WoodWorks Pieces on Display

WoodWorks Pieces on Display

Posted in Furniture Making, News |

Posted September 9, 2014   David will have 4 pieces that he created for his television show WoodWorks on display at the Big Ideas 1950 – 1970: influences in modern ceramics show at the Sebastopol Center for the Arts on September 11 – October 25, 2014.   In addition, David and his fellow Bench Doggs will be performing at the opening reception on Thursday Sept. 11 from 6:00 pm to 7:30 pm. Location: 282 S. High Street, Sebastopol, CA 95472 (707 829 4797)     You can purchase the individual episode digital download or the full Season DVD For step by step instructions for building these projects:   Episode 303 Contemporary Walnut Bench with Copper & Patina Bases:  Digital Download Episode 303   Episode 310 Inlaid Corner Table: Digital Download Episode 310   WoodWorks Season 3 DVD  with 13 step by step projects: WoodWorks Season 3 DVD   Episode 401 Bent Laminate Shelf Stand: Digital Download Episode 401   Episode 404 Cherry Sofa Table: Digital Download Episode 404   WoodWorks Season 4 DVD with 11 step by step projects plus “World of Wood” Woodshop Tour and Workshop Tour: WoodWorks Season 4 DVD...

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“We’re All Climbing the Ladder Together”

“We’re All Climbing the Ladder Together”

Posted in News |

Posted by David J. Marks August 30, 2014 David was recently interviewed by Dan Farnbach for his August 12,2014 Blog in Popular Woodworking.  Dan’s first question for this informative Q & A: “What are the most notable changes in the studio furniture world during the course of your career?” To read the full Q & A “We’re all climbing the ladder together”...

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The Creative Process: Expanding Yourself as a Designer

The Creative Process: Expanding Yourself as a Designer

Posted in Furniture Making, News, Woodworking | 3 comments

Posted by  David J. Marks July 31, 2014   I believe that design is the ultimate frontier in woodworking.  We live in a time that finds many people with the resources to set up a shop at home. It is amazing to see how many people are able to outfit their shops with a lot of the tools they need due to the fact that the majority of power tools are now made in China and have become affordable to the masses. So once we all have shops and we all have similar tools and wood, the question is: How do we differentiate our work from someone else’s? How do we create individual designs that makes the statement that this person’s work is unique and deserves to be recognized as an object of art? Most of us take life for granted, the daily routines leave us without a sense of magic. So Imagination is the first challenge for anyone attempting to design something outside the box.   I do recommend an excellent book titled “Sparks of Genius” the thirteen thinking tools of the world’s most creative people.  You will discover that most of them had a skill for distracting their minds and playing as a way of increasing their creative skills. I believe that there are many components to good design but they are also directly related to the craftsmanship and skill of the maker.  Just like a fine painting, the excellence of and the skill of the painter is just as important as the vision of the painter. I got started in woodworking in 9th grade shop class in New Jersey where I lived until I was 20.  For reference, I was born in 1951.   I’m left handed and seemed to have a talent for art so I took art classes learning to draw throughout high school. In 1971 I moved to northern California.  By 1981, I had opened my own workshop/studio.  The following year I took classes with Art Carpenter, Gary Knox Bennett and many others from the Baulines Craft Guild located in the Bay Area of Northern California. These classes changed my life.  I was introduced to numerous techniques like using router templates, making frame and panels, working with exotic woods, bending wood, creating mock ups to hone in on design and proportions, combining metal and wood, all of which had a huge influence on my designs. I was determined to dedicate myself to increasing my skill levels until I could be considered a Master Craftsman. As the years went by, I continued to take weekend workshops with as many Master Craftsman as I could as I journeyed further and deeper into the world of contemporary furniture.    Some of those workshops were given by James Krenov, Art Carpenter, Wendell Castle, Sam Maloof , Bob Stocksdale , Gary Knox Bennett, as well as a Japanese master...

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